ordering information

 

Due to an increase in postage rates and a higher page count, Thoughtworm #13 and #15 are $3 through the mail. If you're ordering from outside the U.S., please toss in at least an extra buck for postage. Issues 8, 12, and 14 are $2 each ppd. in the U.S. and $3 each ppd. outside of the U.S.  (issues 7, 9, 10, & 11 are SOLD OUT, but issue 10 is available online on the Writings page, and I plan to also post material from other sold-out issues on the site, too).  Issues 4, 5, and 6 are available for $1 each ppd. in the U.S. and $2 each ppd. outside of the U.S.  I do some trading; please contact me first before sending trades and tell me a little bit about your zine. Please do not send your zine with no note or any indication of why I am receiving it. I will not send anything in response unless perhaps I really love your zine. Thanks!

Send orders and correspondence to PO Box 5318, Baltimore, MD 21209 or you may pay through PayPal. If you would like to order by PayPal, please email me first! Do not send payments to sean [at] thoughtworm.com. Thanks.

NEW STUFF

Issue #15 - October 2008

Digest-sized, 40 pages, $3

Block-print cover

New essays and journals from the past three years.


Comments on issue #15

Review by R. Lee of Underworld Crawl: "One of the things I love about zines is their slowness. When it seems like every other form of communication has devolved into instantaneous sputtering, zines remain stubbornly slow. If I had to name one zine that exemplifies zine-time for me it would be Thoughtworm by Sean Stewart. I’ve been reading Thoughtworm since 2004. Over these past five years I’ve read six issues of this zine. When you’re in contact with something as sporadic as this, small changes tend to take on greater significance. What’s been most interesting to me has been the way Sean’s writing has gradually grown more oblique over the years. If you enjoy writing that is clear, yet has it’s own sort of logic, you really ought to get this. Thoughtworm is mostly comprised of Sean’s journal entries. The entries are usually fairly short, but they’re often not particularly to the point. That’s not to say the writing is obtuse or difficult. The sentences are straight-forward and well formed and they draw you in. But this is where things get odd, because by the end of many of these entries you’re not really sure what you’ve been told. They’re almost like tone poems. Everything makes perfect sense, but it’s certainly not obvious what it’s all about. This isn’t an easy thing to pull off without resorting to drivel. But there’s none of that here. Instead you get short, strong stories with a depth that betrays the small space they occupy. Typically, I don’t have much use for this sort of writing, but right now Sean is one of my favorite writers in or out of zines. Thoughtworm 15 is a bit different from the previous issues I’ve seen in that it’s nearly evenly divided between a few essays Sean has written and his journal entries. I liked the essays, but for me they don’t have the same driven quality that makes his journal writing so unique. Still, it’s all interesting and thoughtfully written and in the end these pieces provide a nice contrast to the journal writing. This is a zine well worth checking out. If you want a good example of Sean’s writing, check out his blog, Paraprosdokian."


Issue #14 - December 2007

Quarter-sized, 28 pages, $2

Limited edition linoleum block-printed cover (colors vary)  

Existential mental wanderings and frustrations. Maybe a little dark, but there's some bright spots, too.

Comments on issue #14

Razorcake #43 (review by Kurt Morris): "Writer's block. If you're a zinester and you haven't had it, you must not have been doing zines for too long. Issue 14 of Thoughtworm deals primarily with said issue and Sean's attempts to fight through it. The writing is journal-like and stream of consciousness, focusing on the minute details of the day as well as interpretations of the bigger picture issues (Why are we getting up in the morning? Why can't I shake this feeling of ____?). I could relate with much of what was written: the ideas, the questions, the concerns, and viewpoints of this guy living in Baltimore. And, in one sense, that scared me. There's no romanticizing of the life he leads. It's as dull as mine. There are no trysts, accidents of a monumental kind, death, life-altering encounters or anything of the sort. Honestly, it makes me recall my own zine and the standard fare that I all too often deliver in it (although I'm working on getting past that). So, in one sense, I was creeped out, but in another sense it felt comfortable. Although this issue seemed a peg below the last issue, it was still an interesting look at working through writer's block in all of its minutiae and angles."

 

Issue #13 - August 2006

Digest-sized, 48 pages, $3 by mail (still $2 in person)

Limited edition linoleum block-printed cover  

A journal of the first seven months of my new life in Baltimore, during which I ride my bike (of course), walk dogs for a living, rediscover the joys of cataloging, run a lot, visit other cities, hibernate, and eventually emerge into the sunlight.

Comments on issue #13

Xerography Debt #21 (review by Stephanie Holmes): "Sean Stewart is one of my favorite zinesters, and this being said, he’ll tell you that THOUGHTWORM #13 is a step before his departure from the zine’s traditional digest format. As a fan, this news is equally understandable as technology favors the cost and streamlined convenience of online publications; however, the proposed switch is bittersweet because there’s something comforting about carrying writing this good to cafes and diners around town. The story wakes up in Baltimore to the sounds of new life, brave tasks, and the reciprocal tax of waiting for implements like jobs and new friends. It ends with some resolve almost leaving us curious for more yet equally refreshed that the puzzle pieces are falling into place. “…It feels excellent to walk out of your place of employment on a Monday morning immediately after arriving. There is a lightening of the step, an extra surge of oxygen to the brain, a freeing of the soul,” he wrote in his journal near the close of this installment. After so much change and a potential departure from THOUGHTWORM as we know it, I can only hope that the charged feeling is not too far away from Stewart as THOUGHTWORM turns 11, beginning another cycle of 10. Recommended."

Razorcake #38 (review by Kurt Morris): "This is one of the best zines I've read in a long time. While most people may have a hard time getting past the lack of any pictures and the journal entry format, I found the tales of Sean's new life in Baltimore to be really interesting. Perhaps it's because he likes metal. Or has interesting tales of being a dog walker. It could have something to do with the fact that he's got his master's degree in library science like yours truly. Or maybe it's because he likes to ride his bike, as does [one of] my co-workers who talks about it constantly. Sean and I, we seem to have a good deal in common, including our preferred format in doing our own zines. Unlike a lot of the reviews that belittle me for my choice, I will give Sean some kudos as well as compliment him on the nice screen-print of a heart on the cover. Keep up the good work."

 

Issue #12 - August 2005

Quarter-sized, 64 pages, $2

Limited edition linoleum block-printed cover  

A journal of my final six months in Wichita Falls. Bike rides (and crashes), walks by the river, running through downtown streets, roadside heckling, wicked storms, cats catching leaves, saying goodbyes. Back page of micro zine reviews.

Comments on issue #12

Xerography Debt #18 (review by Christine Douville): "Lots of scenery descriptions. Beautiful writing style; no need for photos."

Razorcake #29 (review by Todd Taylor): "I've been reading Thoughtworm for several years now, and its author, Sean, has a definite aptitude for clean, measured prose. And, for all the pitfalls that lay in wait for a perzine (over self-indulgence, mistaking the inner-workings of the author's head as the world-at-large, whining), Sean has a way of gently sidestepping most of these bear traps. This issue is no exception. It's set up as diary entries as Sean is struggling for nothing short of the meaning of his life. Recently separated, living in a town he doesn't like that much, and seeking therapy through physical activity--running, walking, and bike riding--it becomes more and more obvious that Sean is most comfortable with living creatures that can't talk to him. I can't help but think of Thoreau's Walden, without the politics. Sean delights in squirrels ("well, shit, I thought, everyone knows that when the squirrels tell you to keep going, you keep going"), has a list of favorite trees in his head, and can find beauty in a rancid, roiling creek. So, if you're looking for a zine that's not screaming for you to read it, and you're a fan of tight wording and grammar, Thoughtworm's a great way to go."

 

Issue #11 - June 2004 SOLD OUT!!

Digest-sized, 28 pages, $2

Limited edition linoleum block-printed cover done by me this time!  

Includes all the publishable nonfiction I've written over the past year.  Some essays were previously published in A.j. Michel's various compilation zines.  Other contents share thoughts on toilet training cats, lost friendship, and bike riding in Wichita Falls.  Book and zine reviews round out the issue.

Comments on issue #11

Zine Thug (review by Marc): "What an outstanding issue...some people's writing you just relate to indescribably."  Read more here.

Xerography Debt #15 (review by Miriam DesHarnais): "A classy looking production.  Worthwhile."  Read more here.

Razorcake #22 (review by Todd Taylor): "Thoughtworm is a quiet and strong zine, written at a measured pace. Although that may not sound like a huge recommendation, it is. The author of it, Sean, is exploring the realms of isolation (both social and geographical) and solitude. He’s a librarian in Wichita Falls, TX, slowly coming to grips and peace with his surroundings without giving in to them. Perhaps I have an affinity to what he’s writing, since my life happened in reverse to his, in the respect that I was raised in a small desert town and moved to a big city, and he moved from civilization to a desolate burg full of right wing Christians. His outlook on his two years there, after the shock of realizing that he’s almost all alone wears off, is illuminating. In small town life, there are two main paths to take. Giving in, getting an SUV, frequenting chain restaurants, and praising God and the GOP with bumper stickers or remaining open to the bits of beauty that the place doesn’t reveal easily. Thankfully, Sean sees the good, takes the rest with a huge hunk of salt, and continues to write. This issue of Thoughtworm holds even more resonance for me because there’s an essay where his memory’s failing him even if he looks at pictures of himself yet he has palpable reactions and floods of memories by listening to older albums. There’s also a great essay about his bold attempt to toilet train his cats. It ends in shambles, but I admire his methodic tenacity and research chops. Who would have thought that the jazz bassist, Charles Mingus had an essay on the topic, too? All in all, Thoughtworm seems much larger than twenty-eight pages and is the perfect antidote to all of those poorly edited and hastily tossed together zines. Recommended."

 

Issue #10 - June 2003 SOLD OUT!!

Visit the Writings page to read this issue online or to download the RTF file

Digest-sized - 24 pages

Limited edition hand-screenprinted cover by Malinda! 

Includes reflections on life in Wichita Falls, journal entries, book and zine reviews.

Comments on issue #10

Al Burian, Burn Collector publisher and Quimby's Bookstore employee: "Cover is a three-color silkscreened armadillo, and the contents live up to the promise of the cover.  This zine is all about southwestern nature, mostly journal-type accounts of a move to Wichita Falls, and the culture shock which ensues.  Meteor showers, the various species of pine tree, and lack of a thriving economy are all discussed here.  I'd rather read the zine than move to the place, I think."  

Razorcake #16:  "Instead of being reactionary or being defeated by relocating to a highly conservative part of Texas, Sean looks both deep inside of himself and also at what is unique -- and great -- about Texas.  Recommended reading."

Zine Thug (review by Racheal): "Sean has a clear and easy to understand writing style. It just reads fast and the reader quickly and easily absorbs the events and ideas put forth. His language has a way of being very descriptive, without rambling on about [a] bunch of useless crap."

 

Issue #9 - December 2002 SOLD OUT!!

Digest-sized, 24 pages, $2

Limited edition hand-screenprinted cover by Malinda!  

Finally, the new issue is complete.  It features a slightly different format this time around.  All essays revolve around a single theme.  Also includes Wormscrawl, Etcetera, and short zine and comix reviews.


Comments on issue #9

Liz Saidel, Quimby's Bookstore employee and Caboose editor:  "There's always some crossover territory in reading about the evolution of someone else's musical interests, where you go, 'Yeah! I was SO into that when I was a junior in high school!"  Sean lets it all hang out."

Erin Quinlan, One Fine Mess:  "With such flawless organization, this issue was a sincere pleasure to read."

The Free Press Death Ship #3:  "Lucid, meticulous.  Tidy presentation."

 

Issue #8 - June 2002

 Digest-sized, 24 pages, $2

 Another original cover design by Malinda.  Each cover features a different baseball card from the collection I had as a kid!

Contents include:  thoughts on getting rid of clutter and why I chose to share my collection with the world, an interview with zine librarian Greig Means of the Independent Publishing Resource Center, how I've handled my transition from academia back into normal life, Wormscrawl, my farewell to Columbia, and short zine and comix reviews.

Comments on issue #8

Brooke Young, Salt Lake City Public Library:  "Sean has perfected the essay form in such a way that he can give the simplest of pleasures added depth and meaning."

Mark Hain, Boys Who Wear Glasses and Xerography Debt:  "An unpretentious perzine with a refreshingly friendly tone."

Scout Finnegan, Scout zine:  "I love this zine.  You will buy it.  You will buy it."

Brant Kresovich, For The Clerisy:  "The essays on personal topics and preferences are well-written and never come off surly or embarrassing.  Pretty design--cool covers."

 

Issue #7 - February 2002 SOLD OUT!!

 Digest-sized, 24 pages, $2

 Handmade cover designed and constructed by Malinda  with photography by Sean Skipper!

 Contents include:  an essay about the cover photos, why I don't like the hardware store down the street, a lot of feline antics, personal thoughts on veganism, a short introduction to librarianship, and another installment of Wormscrawl.


Comments on issue #7

Read Gavin Grant's review of this issue in Xerography Debt #8 here!

Erin Quinlan, One Fine Mess and Xerography Debt:  "A nice, nice zine with easy-going personal essays...worth tracking down."

 

Issue #6 - September 2001

 Digest-sized, 30 pages, $1

 Contents include:  cover artwork by Billy McKay, an update on my battle with the Palmetto Bugs, thoughts on people and their ties to geographic locations, a discussion of some unpleasant personal interactions, Wormscrawl (a regular feature of personal factoids), looking back on a year of sobriety, and a tale of real estate corruption from the point of view of a mere wage slave.

Comments on issue #6

Billy McKay, Tile comix and other wonderful creations:  "The new issue is great...i love it when you talk about those crazy bugs coming after you."     

Carrie McNinch, The Assasin and the Whiner:  "I just watched this show on "oversized bugs," worms, um, earthworms the size of snakes...which oddly reminded me that I wanted to write you to say that i wish i received new issues of your zine every week."

Scout Finnegan, Scout zine:  "I really enjoyed the latest Thoughtworm.  I think your zine is one of the finest out there." 

John Porcellino, King-Cat Comics and Stories:  "Another good read.  I could relate to a lot in it." 

 

Issue #5 - June 2001 

 Digest-sized, 34 pages, $1

 Contents include:  a description of what I think went wrong at a job that I used to love, tales of a recovering janitor, why my spine is bent, Wormscrawl, an interview with John Freyer of All My Life For Sale, and the evolution of a punk.

 

Comments on Issue #5

Davida Gypsy Breier in Xerography Debt #6:  "It is obvious Sean put a lot of thought into this issue.  Interesting and well-written.  Recommended."

Scout Finnegan, Scout zine:  "Sean's simple and straightforward writing style is reflected in his design as well.  It is easy to read and easy to look at.  Do yourself a favor and check it out."

 

Issue #4 - January 2001

 Digest-sized, 26 pages, $1

 Contents include:  an entomological nightmare come true, a personal essay about weddings, being a college-educated dishwasher, working for an ex-cop fundamentalist christian shoe repairman, New Year's Eve reflections on not drinking, and phone anxiety.

 

Comments on Issue #4

Violet Jones, Spunk zine, in Xerography Debt #6:  "Read-in-one-sitting personal narratives.  Excellent conversational writing."

Susan Boren, A Reader's Guide to the Underground Press:  "Prodded by newfound sobriety and graduate school, Sean returns to his long-neglected zine to write stories about life in South Carolina.  The writing here is relaxed, humorous, clear, and complemented by an airy layout that's full of breathing room and personable little stickmen."

Other comments about Thoughtworm

Kate Haas, Miranda zine:  "It's the kind of zine I like best - where someone takes the events of ordinary life and illuminates them into stories that are really fascinating to read."

Eric Lyden, Fish With Legs, in Xerography Debt #5:  "A good, solid, very enjoyable zine and is highly recommended."

 

E-mail:      sean (at) thoughtworm.com      

                  

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